{"id":962,"date":"2023-01-11T14:07:38","date_gmt":"2023-01-11T14:07:38","guid":{"rendered":"https:\/\/ensemble-correspondances.lacooperativedesinternets.fr\/?post_type=discography&#038;p=962"},"modified":"2023-01-17T16:11:01","modified_gmt":"2023-01-17T15:11:01","slug":"les-plaisirs-du-louvre","status":"publish","type":"discography","link":"https:\/\/www.ensemblecorrespondances.com\/en\/discographies\/les-plaisirs-du-louvre\/","title":{"rendered":"Les Plaisirs du Louvre"},"excerpt":{"rendered":"<p>Before Versailles, the focus of the power in the Kingdom of France was the Louvre, a true place of of ceremonials in which music should shine with splendor. During the reign of Louis XIII, the air de cour and the ballet engage the most acknowledged composers such as Moulini\u00e9, Gu\u00e9dron and Chancy. The most celebrated of them, Boesset, will contribute to the evolution of the polyphonic air from the Renaissance toward a more private dimension : far from the upcoming opulence of Louis XIV, a collection of delicate miniatures composes this recording.<\/p>\n","protected":false},"author":4,"featured_media":1064,"template":"","class_list":["post-962","discography","type-discography","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/discography\/962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/discography"}],"about":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/types\/discography"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/users\/4"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/media\/1064"}],"wp:attachment":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/media?parent=962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}