{"id":1097,"date":"2023-01-27T16:08:34","date_gmt":"2023-01-27T15:08:34","guid":{"rendered":"https:\/\/ensemble-correspondances.lacooperativedesinternets.fr\/en\/?post_type=discography&p=1097"},"modified":"2023-01-27T16:09:01","modified_gmt":"2023-01-27T15:09:01","slug":"grands-motets-dies-irae-miserere-veni-creator","status":"publish","type":"discography","link":"https:\/\/www.ensemblecorrespondances.com\/en\/discographies\/grands-motets-dies-irae-miserere-veni-creator\/","title":{"rendered":"Grands Motets, Dies irae, Miserere, Veni creator"},"excerpt":{"rendered":"

For more than forty years, Lalande was the favorite composer of the French court, developing the most elevated and touching works of the Grand Si\u00e8cle. S\u00e9bastien Dauc\u00e9 and the Ensemble Correspondances offer us here some remarkable examples: with his impressive Miserere, ample and sombre, his Dies ir\u00e6 or even this too rare Veni Creator, our “Latin Lully” brought to its apogee the art of the Grand Motet.<\/p>\n","protected":false},"author":4,"featured_media":1098,"template":"","class_list":["post-1097","discography","type-discography","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/discography\/1097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/discography"}],"about":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/types\/discography"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/users\/4"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/media\/1098"}],"wp:attachment":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/media?parent=1097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}