{"id":1008,"date":"2023-01-11T15:35:08","date_gmt":"2023-01-11T15:35:08","guid":{"rendered":"https:\/\/ensemble-correspondances.lacooperativedesinternets.fr\/?post_type=discography&#038;p=1008"},"modified":"2023-01-17T16:15:21","modified_gmt":"2023-01-17T15:15:21","slug":"o-mysterium","status":"publish","type":"discography","link":"https:\/\/www.ensemblecorrespondances.com\/en\/discographies\/o-mysterium\/","title":{"rendered":"O Mysterium"},"excerpt":{"rendered":"<p>For 20 years (from 1663 to 1683), Henry Du Mont directed the music of the Sun King\u2019s chapel. For the daily Mass heard he built up a new musical repertory consisting of motets for full chorus and more intimate pieces for solo voice. The former aimed to transpose to the context of the \u2018ordinary\u2019 the format of large-scale works conceived for extraordinary ceremonies. S\u00e9bastien Dauc\u00e9 presents an innovative approach to these \u2018grands motets\u2019 that at once links specific musical features with historical data and reveals their beauties in every detail.<\/p>\n","protected":false},"author":4,"featured_media":1054,"template":"","class_list":["post-1008","discography","type-discography","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/discography\/1008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/discography"}],"about":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/types\/discography"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/users\/4"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/media\/1054"}],"wp:attachment":[{"href":"https:\/\/www.ensemblecorrespondances.com\/en\/wp-json\/wp\/v2\/media?parent=1008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}