« The orchestra in the pit is admirably balanced to the theatre and to the voices of the ensemble Correspondances, of which Sébastien Daucé gets the most in a subtle play on timbres and instrumental lines. »
« The orchestra in the pit is admirably balanced to the theatre and to the voices of the ensemble Correspondances, of which Sébastien Daucé gets the most in a subtle play on timbres and instrumental lines. »
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