« A fascinating performance » – ResMusica

« The Ensemble Correspondances has never been named so well than for Combattimento: The Black Swan Theory, an overwhelming epiphany offered at the Théâtre du Jeu de Paume by a reborn Festival d’Aix. […] The Théâtre du Jeu de Paume is however the perfect frame for the thirteen musicians of Correspondances, of whom the fingers show off exotic instruments : post horns, sakbuts, lirone, theorbo, archilute, guitar, tiorbino, harp. With an infinite softness, an empathy that is the same as the topic, Sébastien Daucé sets, by unifying them, all the possible correspondances between pieces composed between 1630 and 1650 […]. A fascinating performance, welcome very warmly, and that, in only 1 hour 40, has allowed to link musical and high-flying philosophic ambitions […]. »

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