« Sébastien Daucé and the ensemble Correspondances yet achieve to endow a speech with an exemplary clarity and intelligibility […]. No version had ever succeeded in reproducing so finely the ambiguity of this music that oscillates between softness and pain, opens up without confiding, overwhelms with pain […]. This same ”dark brightness” flows on the other tracks of this remarquable programme of lamentation whose gravity and solemnity never freeze the eloquence. »
